The running title of this movie at this time was Stranger In Town instead of Loving You. The title of the movie was changed to Something For The Girls by January 21 and then changed to Loving You by January 23 1957.
The order of recording above is purely an educated guess based on the sequence of production numbers, as it is unknown exactly what was recorded when between January 15 and 18.
At around 13 minutes into the movie Loving You a forty second instrumental version of 'Candy
Kisses' can be heard but it is unknown when
this was recorded. At around 46 minutes it can be heard again in the background for just over a minute. It had been rumoured over the years
that Elvis actually laid down vocals for this
song, but no proof has ever surfaced.
The original 1957 US pressbook for the movie actually states that 'Candy Kisses' and 'Peter Cottontail' are only instrumentals in the movie.
It is unknown exactly when 'One Night Of Sin'
was recorded, but the song was found tagged to
the end of a master tape containing '(Let Me Be Your) Teddy Bear'
from this session, which incidentally was dated
as being "1/24/57".
The studio talk before 'One Night Of Sin'
on Reconsider Baby is actually from 'Don't
Leave Me Now' from February
23 1957.
The two-bar guitar ending from 'One Night' (February 23) was spliced to the end of 'One
Night Of Sin' on Reconsider Baby, replacing
the original bass, drums and piano ending.
A version of 'One
Night Of Sin' with a Saxophone overdubbed
was used in the ballet Blue Suede Shoes and
was released on the accompanying CD of the show.
This version can also be found on the Madison
bootleg A Legendary Performer Volume 5.
An instrumental of 'Tennessee Saturday Night'
was originally intended to be used in the movie
but was rejected in favour of 'Peter Cottontail'
being used instead.
What is listed on the Madison bootleg A Legendary Performer Volume 9 as being the movie version composite, from acetate, of 'Got A Lot O' Livin' To Do!' is actually the "opening" version (D-17) of 'Got A Lot O' Livin' To Do!', but it has a fake count-in flown in from 'Mean Woman Blues' (BX-07), and is very heavily compressed.
In March of 2007, Sony decided to go through all of Elvis' masters. They retransferred everything and remastered all tracks including repairing as many clicks, pops, bad edits and dropouts as they could. They have used these newly mastered recordings on their new releases since 2007 including budget soundtracks, Legacy releases, the 30 disc Complete Elvis Presley Masters collection and the Franklin Mint package.