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January 21 / 22 1969
(+ means you need both    ~ means same material    °° means stereo or binaural    ° means mono)
(SFS = Short False Start | FS = False Start | LFS or BD (Breakdown) = Long False Start | PB (Playback) or Complete = Complete Take)

American Sound Studio - Memphis, Tennessee
Producers : Felton Jarvis / Chips Moman
Engineer: Al Pachucki
Technician: Roy Shockley

Musicians:   Harmony Vocal:
Guitar: Elvis Presley Elvis Presley ('Mama Liked The Roses' & 'Don't Cry Daddy')
Guitar: Reggie Young  
Steel Guitar: John Hughey ('From A Jack To A King')  
Drums: Gene Chrisman  
Organ: Bobby Emmons  
Bass: Tommy Cogbill  
Bass: Mike Leech  
Piano: Bobby Wood  

Hey Jude (track - see note)
XPA5 1157
  January 21 1969 (Tues: 8.00pm - 11.00pm)
Take 1 FS+PB
4:45 (preceded by FS & LFS & reh'sal) American Sound 1969 3°°~From Elvis At American Sound (FTD)°°
+Memphis Sessions (FTD)°° (part of PB only - spliced with Take 5)
Take 2 LFS      
Take 3 FS 0:18   American Sound 1969 3°°~From Elvis At American Sound (FTD)°°
Take 4 FS      
Take 5 LFS 1:03   American Sound 1969 3°°~From Elvis At American Sound (FTD)°°
+Memphis Sessions (FTD)°° (spliced with Take 1)
Take 6 FS 0:11   American Sound 1969 3°°~From Elvis At American Sound (FTD)°°
Take 7 (M) 4:52 Undubbed master American Sound 1969 3°°~From Elvis At American Sound (FTD)°°
~The American Way Volume 5°~Draft Mix Tape° (track 13)~American
Rejects°
         
Overdub (M)   Brass overdubs on March 18 (eve)
(listed as 'track only')
 
Overdub (M)   String overdubs on March 19 (aft)  
Overdub M 4:31 Backup v.o's on March 20 (morning) Complete Elvis Presley Masters 17 (Sony)°°~The Memphis Sessions
(Franklin Mint Comp. Masters Collection 33)°°~From Elvis At American
Sound (FTD)°°~From Elvis In Memphis (Legacy)°°~Elvis Now (FTD)°°
~(20 Bit)°°~Suspicious Minds - Memphis 1969 Anthology°°~60s Box 4°°
+Memphis Memories° (LP) (acetate - no backup vocals) (too fast)

My Little Friend (vocal overdub)
XPA5 1153
  January 21 1969 (Tues: 8.00pm - 11.00pm)
Take NA (M)
3:11 Vocal overdub of January 16 track
Unedited undubbed master
American Sound 1969 2°°~From Elvis At American Sound (FTD)°°
(unedited)+The American Way Volume 4°~Draft Mix Tape° (track 16)~A
Legendary Performer Volume 4° (bootleg)~Unedited Masters - The Next
Generation (Venus)°~Unedited Masters - Life (Venus)° (2:48)
       
Overdub (M)   Brass overdubs on March 18 (eve)
Overdub (M)   String overdubs on March 19 (aft)
Overdub (M)   Backup v.o's on March 20 (morning)
Unedited master
 
Faded M 2:43 Master faded Complete Elvis Presley Masters 17 (Sony)°°~The Memphis Sessions
(Franklin Mint Complete Masters Collection 33)°°~From Elvis At
American Sound (FTD)°°~U.S. Male (LP / CD)°°+Complete Single
Collection 6°°~Suspicious Minds - The Memphis 1969 Anthology°°
~60s Box 4°° (Different Mix)+From Elvis In Memphis (Legacy)°~The
Mono Masters CD4 (Venus)°

Inherit The Wind (vocal overdub)
XPA5 1151
  January 21 1969 (Tues: 8.00pm - 11.00pm)
V.O. 1 PB 3:22 Vocal overdub of Jan 16 track
(0:00-0:41, 0:55-1:36 &
1:48-2:29 used for master)
American Sound 1969 2°°~Back In Memphis (FTD)°° (CD1, track 12)
V.O. 2 PB 3:23 Vocal overdub of Jan 16 track
(0:42-0:54, 1:37-1:47 &
2:30-2:53 used for master)
Back In Memphis (FTD)°° (CD2, track 7)
         
Overdub (M)   Backup v.o's to Jan 16 track on January 26
(without Elvis' vocal overdubs)
         
Composite (Draft) 2:58 Unused composite of :-
v.o. 1 (0:00 - 0:44)
v.o. 2 (0:45 - 0:54)
("Inherit the wind, inherit the wind")
v.o. 1 (0:55 - 1:36)
v.o. 2 (1:37 - 1:47)(no breath)
v.o. 1 (1:48 - 2:29)
v.o. 2 (2:30 - 2:56)
(after backup v.o's to track)
The American Way Volume 5°~Draft Mix Tape° (track 18)~American
Rejects° (too fast)~A Legendary Performer Volume 3° (bootleg)
Composite (M) 2:56 Composite of :-
v.o. 1 (0:00 - 0:41)
v.o. 2 (0:42 - 0:54)
("That's how it is when you inherit
the wind, inherit the wind"
)
v.o. 1 (0:55 - 1:36)
v.o. 2 (1:37 - 1:47)(breath)
v.o. 1 (1:48 - 2:29)
v.o. 2 (2:30 - 2:56)
(after backup v.o's to track)
Acetate°
         
Overdub (V.O. 1) 3:11 String overdubs on May 5
(SPA1 4139) (not used)
The Memphis Record°°
Overdub (V.O. 2) 3:29 String overdubs on May 5
(not used)
Keep Rollin' On (Venus)°°
Overdub (M)   String overdubs on May 5  
Overdub M 2:56 Brass overdubs on May 6 (eve) Complete Elvis Presley Masters 17 (Sony)°°~The Memphis Sessions
(Franklin Mint Complete Masters Collection 33)°°~From Elvis In Memphis
(Legacy)°°~Back In Memphis (FTD)°°~(24 Bit)°°~Suspicious Minds - The
Memphis 1969 Anthology°°~60s Box 4°°

Mama Liked The Roses (vocal overdub)
XPA5 1152
  January 21 1969 (Tues: 8.00pm - 11.00pm)
V.O. 1 PB   Vocal overdub of Jan 16 track  
V.O. 2 (M) 3:22 Vocal overdub of Jan 16 track
Undubbed master
American Sound 1969 2°° (#2, track 11)~From Elvis At American Sound
(FTD)°° (CD2, track 11 - with dialogue at end)
         
Harmony
V.O.
V.O. 1 2:28 Harmony vocal overdub by Elvis
on January 24
(not used)
American Sound 1969 2° (#2, track 10)~From Elvis At American Sound
(FTD)° (CD1, track 18)~Keep Rollin' On (Venus)° (faded)
Harmony
V.O.
(M) 2:47 Harmony vocal overdub by Elvis
on January 24
(not used)
The American Way Volume 1° (count-in)~Draft Mix Tape° (track 17
- count-in)~American Rejects°
         
Overdub (M)   Brass overdubs & re-recorded
'bell' intro on March 18 (eve)
 
Overdub (M) 2:35 String overdubs on March 19 (aft) Memphis Memories (LP)° (acetate - faded)
Overdub M 2:48 Backup v.o. by Sandra Posey
Robinson on March 31 1970

(SPA1 4135)
Complete Elvis Presley Masters 17 (Sony)°°~The Memphis Sessions
(Franklin Mint Complete Masters Collection 33)°°+From Elvis At American
Sound (FTD)°° (faded - original mix)~From Elvis In Memphis (2000)°°
~Comp. Single Collection 7°°~Suspicious Minds - The Memphis 1969
Anthology°°~60s Box 4°°~The Memphis Record°° (different mix - faded)
+From Elvis In Memphis (Legacy)°~The Mono Masters CD4 (Venus)°

I'm Movin' On (vocal replacement)
XPA5 1147
  January 22 1969 (Wed: 1.00am - 4.00am)
V.O. PB 2:44 Full vocal replacement of Jan 14
master
, after backup v.o's and band
& brass overdubs on January 19
American Sound 1969 2°°~From Elvis In Memphis (FTD)°° (no backing
vocals)+The Memphis Record°° (except 1st word "That") (with backing
vocals) (original backing track)
+Guitar Man°°~Too Much Monkey Business (FTD)°° (1980 overdubs)
       
Composite (Draft) 2:50 Unused composite of :-
original vocals (0:00 - 0:53)
replaced vocals (0:53 - 1:08)
original vocals (1:08 - 1:38)
replaced vocals (1:38 - 2:43)
Draft Mix Tape° (track 1) (backing vocals)
Alt. Composite 2:52 Composite of :-
replaced vocals (0:00 - 0:53)
original vocals (0:53 - 1:08)
replaced vocals (1:08 - 1:38)
original vocals (1:38 - 2:52)
Suspicious Minds - The Memphis 1969 Anth. (CD2)°° (no backing vocals)
Composite M 2:53 Composite of :-
original vocals (0:00 - 0:53)
replaced vocals (0:53 - 2:53)
From Elvis In Memphis (FTD)°°~Comp. Elvis Presley Masters 17 (Sony)°°
~Country Roots (Franklin Mint Complete Masters Collection 8)°°~From
Elvis In Memphis (Legacy)°°~From Elvis In Memphis°°~Suspicious Minds
- The Memphis 1969 Anthology°°~60s Box 4°°+Other Side Of Memphis°°

Long Black Limousine (vocal repair)
XPA5 1142
  January 22 1969 (Wed: 1.00am - 4.00am)
V.O. (M) 4:22 Vocal repair of January 13 master
(from "Through tear filled eyes I
watch..."
to end)
American Sound 1969 1°°~From Elvis At American Sound (FTD)°°
         
Overdub (M)   Brass and piano (bell) overdubs
on January 22
 
Overdub (M) 3:31 Backup v.o's on January 25 Draft Mix Tape° (track 7)
Overdub M 3:40 String overdubs on March 18 (aft)
(SPA1 4125)
From Elvis In Memphis (FTD)°°~Comp. Elvis Presley Masters 17 (Sony)°°
~The Memphis Sessions (Franklin Mint Comp. Masters Collection 33)°°
~From Elvis In Memphis (Legacy)°°~From Elvis In Memphis°°~Suspicious
Minds - The Memphis 1969 Anthology°°~60s Box 4°°+The Memphis
Record°°+The Other Side Of Memphis°°

Don't Cry Daddy (vocal overdub)
XPA5 1149
  January 22 1969 (Wed: 1.00am - 4.00am)
V.O. (M)   Vocal overdub of Jan 15 track
Undubbed master
 
         
Harmony
V.O. 1
(M) 3:04 Harmony vocal overdub by Elvis
on January 24
American Sound 1969 2°°~From Elvis At American Sound (FTD)°°
Harmony
V.O. 2
(M) 2:54 Additional harmony vocal overdub
by Elvis on January 24
Draft Mix Tape° (track 20 - too fast)°~The American Way Volume 1°
         
Overdub (M)   Brass overdubs on March 19 (eve)  
Overdub M 2:48 String overdubs on March 21
(SPA1 4136)
Complete Elvis Presley Masters 17 (Sony)°°~The Memphis Sessions
(Franklin Mint Complete Masters Collection 33)°°~Elvis 75 - Good Rockin'
Tonight 3 (Legacy)°°~From Elvis At American Sound (FTD)°°~Elvis 75
CD3°°~Second To None°°~From Elvis In Memphis (2000)°°~Comp. Single
Collection 6°°~Suspicious Minds - The Memphis 1969 Anthology°°
~60s Box 4°°~Rare Elvis°°~Always On My Mind°°+The Memphis Record°°
+From Elvis In Memphis (Legacy)°~The Mono Masters CD3 (Venus)°

Poor Man's Gold (vocal overdub)
XPA5 1150
  January 22 1969 (Wed: 1.00am - 4.00am)
Take 1 FS 3:38 Vocal overdub of Jan 15 track
(abandoned)
Suspicious Minds - The Memphis 1969 Anthology° (vocal only)~Tape°
~The American Way Volume 4°+American Sound 1969 2°° (faded)+From
Elvis At American Sound (FTD)°°

From A Jack To A King
XPA5 1158
  January 22 1969 (Wed: 1.00am - 4.00am)
Take 1 FS
0:24   American Sound 1969 3°°~Back In Memphis (FTD)°° (count-in)~Memphis
Sessions (FTD)°°~The American Way Vol. 2°~Finding The Way Home°
(1-6-1)
Take 2 FS 0:13   American Sound 1969 3°°~Back In Memphis (FTD)°°~Memphis Sessions
(FTD)°°~The American Way Vol. 2°~Finding The Way Home° (1-6-2)
Take 3 PB 3:23 (followed by rehearsal) American Sound 1969 3°°~Back In Memphis (FTD)°°~Memphis Sessions
(FTD)°°~Finding The Way Home° (1-6-3)~American Crown Jewels°
~Animal Instinct° (PB only)+The American Way Volume 2° (PB + reh'sal)
Take 4 2xFS
+LFS
2:17   American Sound 1969 3°°~Back In Memphis (FTD)°° (2xFS only)+The
American Way Volume 2°~Finding The Way Home° (2-6-1) (2xFS+LFS
- faded)
Take 5 (M) 2:30 Unrepaired undubbed master American Sound 1969 3°°~Back In Memphis (FTD)°°
         
Overdub (M) 2:21 Backup v.o's on January 26 Draft Mix Tape° (track 12)
Overdub (M)   String overdubs on May 7 (aft)  
Overdub (M)   Brass overdubs on May 7 (eve)  
Spliced M 2:25 Elvis' mock voice spliced out
(2:04 - 2:07 replaced by
1:16 - 1:19 of Take 5)
Complete Elvis Presley Masters 17 (Sony)°°~The Memphis Sessions
(Franklin Mint Complete Masters Collection 33)°°~From Elvis In Memphis
(Legacy)°°~Back In Memphis (FTD)°°~Great Country Songs (DSD)°°
~Back In Memphis (24 Bit)°°~Suspicious Minds - The Memphis 1969
Anthology°°~60s Box 4°°

Notes

Memphis Sessions Draft mix tape Memphis Record  Suspicious Minds Master
0:00 - 0:05
Unrepaired master
Unrepaired master
Unrepaired master
Vocal repair
Unrepaired master
0:05 - 0:35
Unrepaired master
Unrepaired master
Vocal repair
Vocal repair
Unrepaired master
0:35 - 0:53 (instr.)
Unrepaired master
Unrepaired master
Vocal repair (instr.)
Vocal repair (instr.)
Unrepaired master
0:53 - 1:08
Unrepaired master
Vocal repair
Vocal repair
Unrepaired master
Vocal repair
1:08 - 1:38
Unrepaired master
Unrepaired master
Vocal repair
Vocal repair
Vocal repair
1:38 - 1:52
Unrepaired master
Vocal repair
Vocal repair
Unrepaired master
Vocal repair
1:53 - 2:43
Unrepaired master
Vocal repair
Vocal repair
Unrepaired master
Vocal repair
2:43 - 2:52
Unrepaired master
-
-
Unrepaired master
-

A comparison of the different versions of 'I'm Movin' On' released, are shown above.

The vocal repair on 'I'm Movin' On' consists of the following:-
0:00-0:05 "That..."
0:05-0:35 "...big eight-wheeler" to "move on, baby"
0:53-1:08 (*) replaced with alternate lyrics, (**):
(*) "That big bad whistle as he blew and blew" to "Please listen to me let this rattler free and keep movin' on. Move on son, move on."
(**) "Mr fireman won't you please listen to me" to "Please listen to me let this rattler free and keep movin' on. Move on son, move on."
1:08-1:38 added, non-verbose "ta-ta"
1:38-2:42 "I told you baby" to end

The re-recorded Guitar Man (1980) / Too Much Monkey Business (FTD) version of 'I'm Movin' On' has the repaired vocal track only.

There are no backup vocals present during Elvis' vocal replacement on 'I'm Movin' On' as heard on FTD's From Elvis In Memphis and American Sound 1969 releases, but they are present on The Memphis Record. Also, backing vocals are heard on the unused composite as heard on the "Draft Mix Tape" but are not present on the alternate composite as heard on Suspicious Minds - The 1969 Anthology. This was achieved by either turning on or off the "Vocal Group" track (track 3 of the 8-track tape).
Track 1 = used for brass
Track 2 = used for Elvis' original vocal
Track 3 = used for vocal group
Track 4 = used for steel
Track 5 = used for bass
Track 6 = used for drums, piano & guitar
Track 7 = used for Elvis' re-recorded vocal
Track 8 = used for lead bass

RCA's official session logs incorrectly list the session times of some songs recorded:-
'Hey Jude' is listed as being recorded (22nd) 1.00am - 4.00am instead of (21st) 8.00pm - 11.00pm
'From A Jack To A King' is listed as being recorded (21st) 8.00pm - 11.00pm instead of (22nd) 1.00am - 4.00am

There are two draft mono mix tapes, of which at least one is dated February 28, 1969. A tape log of a later tape copy of both these tapes (except for the last three tracks of the second tape - 'Don't Cry Daddy', 'A Little Bit Of Green' & 'You'll Think Of Me') was shown in the magazine The Man and His Music #13 listed as "Basic + Alt. Vocals". This source is referred to as the "Draft Mix Tape". This mono tape was actually the source of the 1992 bootleg American Rejects (AR 1569), although the notes claimed acetate source for that. The tape contains nothing recorded after January 26 1969.

The tape is a later copy of two draft rough mix tapes of January 1969 recordings (Tape 1: 'I'm Movin' On' - 'Without Love (There Is Nothing)', dated February 28, 1969, and Tape 2: 'From A Jack To A King' - 'You'll Think Of Me'). A breakdown of what the tape contains is as follows:
1. I'm Movin' On - draft composite of Elvis' original and re-recorded vocals (January 22), containing overdubbed backing vocals (January 19 morning) and band and brass overdubs (January 19 evening).
2. Wearin' That Loved On Look - with overdubbed backing vocals (January 19 morning), guitar overdub (January 22) and Elvis' replaced vocals (January 24).
3. Come Out Come Out (Wherever You Are) - fast instrumental track (January 14).
4. Come Out Come Out (Wherever You Are) - slow instrumental track (January 14), with tape cut.
5. This Is The Story - with Elvis' replaced vocals (January 24) and overdubbed backing vocals (January 25).
6. Gentle On My Mind - with track replacement overdubs and Elvis' vocal repair (January 20).
7. Long Black Limousine - with Elvis' vocal repair (January 22), brass and piano overdubs (January 22) and overdubbed backing vocals (January 25).
8. Suspicious Minds - with overdubbed backing vocals (January 24) and Elvis' harmony vocal overdub (January 24).
9. I'll Be There - takes 5 (false start) and 6 (alternate master) with overdone vocal echo (January 23).
10. I'll Hold You In My Heart (Till I Can Hold You In My Arms) (January 23).
11. Without Love (There Is Nothing) - take 1 (alternate master) (January 23).
12. From A Jack To A King - with Elvis' original mock voice at end (January 22) and overdubbed backing vocals (January 26).
13. Hey Jude - take 7 (undubbed master) (January 21).
14. Rubberneckin' - with partially overdubbed backing vocals (January 26).
15. In The Ghetto - with Elvis' original take 22 vocals (January 20) and overdubbed backing vocals (January 25).
16. My Little Friend - Elvis' vocal overdub to track (undubbed master) (January 21) with short count-in at start.
17. Mama Liked The Roses - with Elvis' master vocal overdub to track (January 21) and Elvis' harmony vocal overdub (January 24), with short count-in at start.
18. Inherit The Wind - draft composite of vocal overdub takes 1 and 2 (January 21), containing overdubbed backing vocals (January 26).
19. Poor Man's Gold - instrumental track (January 15).
20. Don't Cry Daddy - Elvis' vocal overdub to track (January 22) and Elvis' two harmony vocal overdubs (January 24).
21. A Little Bit Of Green - with Elvis' original take 3 vocals (January 15).
22. You'll Think Of Me - take 23 rhythm track with Elvis' replaced vocals (January 24).

Part of Take 1 (0:55 - 1:55 & 2:55 - 4:15) of 'Hey Jude' is spliced with Take 5 on FTD's Memphis Sessions.

'Hey Jude' is listed as "Track Only" in the session logs. It's possible that Elvis' vocals were not considered good enough for release at the time this song was recorded, although overdubs were still added to the song. This would explain why 'Hey Jude' was not released with the rest of the songs from these sessions, in 1969, but was eventually released in 1972 on the album Elvis Now.

Sessions III lists 'My Little Friend' as having backup vocals overdubbed on January 23, but the session log shows that as of February 4 (date of the Jjob number) no backup vocals had been overdubbed. You can just about hear the backing singers during the guitar intro on the U.S. Male CD and the Almost In Love LP, as well as releases after 2007 (The Complete Masters etc.). They do not appear on any 1990s releases. According to Mary Holladay Pederson's logbook, 'My Little Friend' had backup vocals overdubbed on March 20.

Remixed versions of 'Mama Liked The Roses', 'Long Black Limousine' and 'Don't Cry Daddy' can be found on The Memphis Record.

The instrumental track for 'Poor Man's Gold' can be heard after the last track ('Kentucky Rain') on the bootleg Finding The Way Home.

The bell intro of 'Mama Liked The Roses' was re-recorded and replaced on March 18 1969 (evening). Final backup vocal overdub for single release was done by Sandy Posey (Sandra P. Robinson) in Nashville on March 31 1970.

Piano player Bobby Wood and guitar player Reggie Young are listed as having been included on overdubs of 'Long Black Limousine', but not 'Wearin' That Loved On Look' on January 22. A comparison with the undubbed session implies that it is rather the other way around with Reggie Young, as an overdubbed guitar can be identified on 'Wearin' That Loved On Look', but not on 'Long Black Limousine'. Apart from that, an overdubbed 'bell' is actually heard during the intro of 'Long Black Limousine' (double effect on piano notes). This is similar to the overdubbed bell sound on 'Mama Liked The Roses'. The bell instrument is not easily identified, but could be an electric piano, which in that case would confirm the Bobby Wood overdub information at least.

Finally, no brass at all can be identified on 'Wearin' That Loved On Look'.

The single version of 'My Little Friend' is remixed when compared to the album version.

Takes 1, 2 and 3 of 'From A Jack To A King' on FTD's Memphis Sessions are presented in the wrong order - It is actually Takes 2, 1 and 3.

'From A Jack To A King' is spliced to take out Elvis' mock voice ("You made-a me king of your heart" 2:04 - 2:07) and is replaced from the same line used earlier in the same take ("You made me king of your heart" 1:16 - 1:19). The "mock" part was replaced on the multi-track tape so this has been re-inserted on the left channel when the undubbed/unfinished master was used on FTD's classic album release of Back In Memphis.

By taking out two of the four channels from the rare Japanese Quadraphonic LP of From Elvis In Memphis is how the "previously unreleased versions" were created on the bootleg The Other Side Of Memphis (Bilko).

In March of 2007, Sony decided to go through all of Elvis' masters. They retransferred everything and remastered all tracks including repairing as many clicks, pops, bad edits and dropouts as they could. They have used these newly mastered recordings on their new releases since 2007 including budget soundtracks, Legacy releases, the 30 disc Complete Elvis Presley Masters collection and the Franklin Mint package.

Sample of 'Im Movin' On' with Elvis' original vocals in the left channel and his re-recorded vocals in the right channel.

Sample of 'Long Black Limousine' with Elvis' original vocals in the left channel and his repaired vocals in the right channel.

 

Session Logs
Recording Information
January 21 1969
January 21 1969
Draft Mix Tape
Basic & Alt. Vocals
Draft Mix Tape
From Elvis In Memphis
& Back In Memphis
From Elvis In Memphis

 
Tape Legends
Overdubs
Tape Legends (Thanks to Follow That Dream)
 


Music Sheets
Music Sheet
Hey Jude
Hey Jude (Thanks to Christopher Brown)
Music Sheet
My Little Friend
My Little Friend
Music Sheet
Inherit The Wind
Inherit The Wind (Thanks to Jules Thibault)

Music Sheet
Mama Liked The Roses
Mama Liked The Roses (Thanks to Christopher Brown)
Music Sheet
Wearin' That Loved On Look
Wearin' That Loved On Look
Music Sheet
You'll Think Of Me
You'll Think Of Me (Thanks to Christopher Brown)

Music Sheet
This Is The Story
This Is The Story (Thanks to Christopher Brown)
Music Sheet
In The Ghetto
In The Ghetto
Music Sheet
I'm Movin' On
I'm Movin' On (Thanks to Glen Johnson)

Music Sheet
Long Black Limousine
Long Black Limousine
Music Sheet
Don't Cry Daddy
Judy (Thanks to Christopher Brown
Music Sheet
Poor Man's Gold
Poor Man's Gold

 
Music Sheet
From A Jack To A King
From A Jack To A King
 

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